The option to install an M.2 disk is also available, which can record directly to internal cloud storage for global communication.Įven more exciting is the HD8 ISO version, which records all eight SDI inputs individually and the program output simultaneously it automatically creates a Davinci Resolve file of your entire broadcast. Record your production to an external USB disk to share over your local network and speed up the post-production process. If the available audio inputs don't cut it, the MADI input can accept the new ATEM Microphone Converter to add four more inputs. 10 integrated knobs adjust your audio levels, gain, noise gate, and other parameters. The Fairlight mixer works as a compressor, limiter, and expander, and offers a 6-band parametic EQ. The HD8 switchers accept 32-channels of audio via MADI input, which can be mixed with the internal Fairlight audio mixer or output via MADI port to a separate mixer for your audio technician to handle. Integrate broadcast headsets into the switcher for talkback functionality from your control room to your studio.Īudio mapping on every SDI output port can be adjusted via the ATEM Control software. Expanded multiview accommodates 16 video channels on a single monitor. Eight 3G-SDI input ports support up to 1080p video at 60 fps and output to eight program ports.

The updated panel and T-bar fader allow for more space between button configurations for intuitive operation by feel while monitoring your program feed. Taking some of the tried-and-true protocols from the ATEM Television Studio Pro, the HD8 models feature a larger, expanded interface while remaining portable and lightweight. New ATEM switchers, studio cameras, and even a Microphone Converter bridge the gap between set and post-production, thanks to camera-to-cloud workflows. Blackmagic Design has dropped some new products to maximize broadcast and live production environments.

Blackmagicdesign